Plots of Freedom – The Cry of Samba for Democracy S01E05 · Let Go of Our Costumes: 1988–1989

Overview

In a time of artistic flourishing, samba schools produced some of their most impactful parades. Notably, Beija-Flor's 1989 performance, "Ratos e Urubus, Larguem Minha Fantasia," used recycled materials to critique social issues, and featured a censored depiction of a destitute Christ figure, highlighting tensions between artistic freedom and societal norms.

Torrents

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Episodes

1. 1 1. A Dream That Persists: 1980–19812024-02-01 · 33mThis episode explores the early 1980s, a period marked by political unrest as Brazil began transitioning from military dictatorship to democracy. Despite violent acts by military
2. 2 2. These People Want to Speak for Themselves: 1982–19832024-02-08 · 30mDuring these years, samba schools boldly addressed political themes that the dictatorship sought to suppress. Their parades brought to light issues like censorship and social ineq
3. 3 3. The Carnival of Direct Elections: 1984–19852024-02-15 · 37mAmid the national movement for direct presidential elections, known as "Diretas Já," samba schools played a pivotal role in mobilizing public sentiment. Their performances echoed
4. 4 4. The Carnival of the Constituent Assembly: 1986–19872024-02-22 · 39mFollowing the end of military rule, this period saw a surge in creative expression as Brazil worked towards drafting a new constitution. Samba schools celebrated this newfound fre
5. 5 5. Let Go of Our Costumes: 1988–19892024-02-29 · 43mIn a time of artistic flourishing, samba schools produced some of their most impactful parades. Notably, Beija-Flor's 1989 performance, "Ratos e Urubus, Larguem Minha Fantasia," u