Women Make Film: A New Road Movie Through Cinema S01E14 · Death, Endings, Song and Dance
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Overview
"Death". The biggest subject in life, the most universal subject -- no wonder that Japan's Kinuyo Tanaka, Canada's Caroline Leaf, Spain's Ana Mariscal, Holland's Paula Van der Oest, and other great filmmakers in this chapter embrace it. "Endings". We begin to end our epic road movie with films from Sonja Heiss, Larisa Shepitko, Ida Lupino, Lizzie Borden, Claire Denis, and Maya Deren. "Song and Dance". End with a song, they say, so our story does. Huang Shuqin, Vera Stroyeva, Margaret Tait, Alice Guy-Blaché, Edith Carlmar, Céline Sciamma, Gilda de Abreu, Joan Micklin Silver, Shirley Clarke, Dorothy Arzner, and Beyonce make music with their films. We conclude our story, our road movie, and end in an unexpected place...
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Episodes
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1. Openings, Tone2020-05-18 · 1h 3m"Openings". With examples from 1943 to 2013, from China to Iran, Australia to Finland, we look at how to open a film: from mysterious, direct, floating, foreboding beginnings to pl
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2. Believability, Introducing Character, Meet Cute2020-05-18 · 1h 3m"Believability". It's easy to spot, but not so easy to understand. Believability is about simple human stories, the truth about life, real emotions, and responding to the world. Ho
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3. Conversation, Framing, Tracking2020-05-18 · 1h 3m"Conversation". A basic human interaction -- how to make it cinematic?
"Framing". Frames describe and paint the scenes. They shape the cinematic world.
"Tracking". Tracking shots
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4. Staging, Journey, Discovery2020-05-18 · 1h 3m"Staging". Scene staging is an element of film form pointing clearly to cinema's origin: theater.
"Journey". Movement is key to a motion picture, and journeys in film can be horiz
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5. Adult/Child, Economy, Editing2020-05-18 · 1h 3m"Adult/Child". Most famous movie genres -- war pictures, westerns, etc. -- are about adults, but in this chapter, Jane Fonda narrates the story of eighteen films about children, fr
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6. POV, Close-up, Dream2020-05-18 · 1h 3m"POV". Is cinema the art of point of view? Jocelyn Moorhouse, Ida Lupino, Edith Carlmar, Sofia Coppola, Liliana Cavani, Kelly Reichardt, Larisa Shepitko, Jennifer Kent, and other g
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7. Bodies, Sex2020-05-18 · 1h 3m"Bodies". Bodies in cinema can be enticing, athletic, or brutalized. Jane Fonda narrates this chapter about how some of the great directors -- including Agnès Varda, Andrea Arnold,
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8. Home, Religion, Work2020-05-18 · 1h 3m"Home". Refuge, shelter, or prison? Sharmila Tagore narrates the story of home on-screen in the great films of Edith Carlmar, Lynne Ramsay, Mai Zetterling, Liu Jiayin, Forough Farr
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9. Politics, Gear Change, Comedy2020-05-18 · 1h 1m"Politics". Another aspect of everyday life. From silent cinema to the twenty-first century, movies from the visually astonishing The Enchanted Desna to Divorce Iranian Style to St
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10. Melodrama, Sci-Fi, Horror & Hell2020-05-18 · 1h 2m"Melodrama". A genre as popular as comedy, but what are some of the great scenes in melodrama? Sharmila Tagore narrates a story that takes us from the silent American film Shoes to
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11. Tension, Stasis, Leave Out2020-05-18 · 1h 3m"Tension". Thrillers, and so much more. We look at gripping scenes in films as diverse as Joel DeMott's documentary Demon Lover Diary, Kathryn Bigelow's Blue Steel, Carol Morley's
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12. Reveal, Memory, Time2020-05-18 · 1h 3m"Reveal". How does Lynne Ramsay do a reveal, in Morvern Callar? How does the great actor-director Kinuyo Tanaka? Or Sarah Polley? Or Alice Rohrwacher?
"Memory". As cinema is a kin
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13. Life Inside, The Meaning of Life, Love2020-05-18 · 1h 3m"Life Inside". Novels are great at describing thoughts, but how do films do so? In this chapter, we see how great directors from France, Ukraine, the UK, the U.S., New Zealand, and
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14. Death, Endings, Song and Dance2020-05-18 · 1h 4m"Death". The biggest subject in life, the most universal subject -- no wonder that Japan's Kinuyo Tanaka, Canada's Caroline Leaf, Spain's Ana Mariscal, Holland's Paula Van der Oest